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B, “Cross Section of Large Ceremonial Building” in Traditional Architecture of Western Highlands Papua New Guinea. Lae, Morobe Province: PNG University of Technology Printery, 1998. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c82c717c29a501a5d8888/5e5c82cba72c2f71ab1fa545/1583121335048/ab4.JPG Architecture - Maj-Maj/ Wiltja, Owa & Bolim Gar & social patterns in far north Australia & New Guinea - Fig. 4: Cross Section of village tribe in Western Highlands, New Guinea Milani, R. B, “Cross Section,” in Traditional Architecture of Western Highlands Papua New Guinea. Lae, Morobe Province: PNG University of Technology Printery, 1998. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c82c717c29a501a5d8888/5e5c82c9d48f8f22c90fdf0a/1583121302512/ab3.JPG Architecture - Maj-Maj/ Wiltja, Owa & Bolim Gar & social patterns in far north Australia & New Guinea - Fig. 3: Encampment of Aborigines at Rockingham Bay, Queensland Memmott, Paul, 92. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c82c717c29a501a5d8888/5e5c82c8e6c06e061fcbe34e/1583121269978/ab2.JPG Architecture - Maj-Maj/ Wiltja, Owa & Bolim Gar & social patterns in far north Australia & New Guinea - Fig. 2: Maj-Maj dome structure of far northeastern Australia Thomson, Donald, “Shelter Types”, in Gunyah Goondie + Wurley: the Aboriginal Architecture of Australia (St Lucia: University of Queensland Press, 2007), 161 https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c82c717c29a501a5d8888/5e5c82c8bd974c787357bfe1/1583121238823/ab1.JPG Architecture - Maj-Maj/ Wiltja, Owa & Bolim Gar & social patterns in far north Australia & New Guinea - Fig. 1: Aboriginal Windbreak shelter (left) and shade structure (right) Memmott, Paul, “Shelter Types”, in Gunyah Goondie + Wurley: the Aboriginal Architecture of Australia (St Lucia: University of Queensland Press, 2007), 164 https://chantallelouise.com/architecturewritings/vernacular-landscape-language monthly 0.5 2020-03-02 https://chantallelouise.com/architecturewritings/consolidate-or-spread-what-urban-form-should-melbourne-develop-in-the-future monthly 0.5 2020-03-02 https://chantallelouise.com/architecturewritings/sustainable-construction-and-post-war-melbourne monthly 0.5 2020-03-02 https://chantallelouise.com/architecturewritings/nazi-germany-and-fascist-italy monthly 0.5 2020-03-02 https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fbb17c29a501a5a099e/1583117090236/adolf11.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 11: Palazzo della Civilità Italiana, Ernesto Bruno Lad Padula, Giovanni Guerrini & Mario Romano, Rome, 1938 Kirk, Terry, “The architecture of modern Italy” ( New York : Princeton Architectural), 99. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fbb212d7f00caf459b9/1583117016549/adolf9.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 9: Light sculpture at The Zeppelinfeld, Albert Speer, Nuremberg, 1934 Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 240. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb97a7f3216d6ef9a71/1583116980828/adolf8.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 8: Detail of Reichsadler holding Swastika in claws Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 132. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb9212d7f00caf45996/1583116950061/adolf7.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 7: House of German Art, Paul Ludwig Troost, Munich, 1937 Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 236. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb70054c85361a62cf1/1583116915032/adolf6.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 6: Hitler addressing political procession atop balcony Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 111. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb6118337590dc85d2d/1583116879610/adolf5.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 5: The Zeppelinfeld, Albert Speer, Nuremberg, 1934 Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 243. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb50054c85361a62cd9/1583116824439/adolf4.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 4: Pantheon, (unknown architect), Rome, 125 CE "Pantheon." Ancient History Encyclopaedia. June 12, 2013. Accessed April 02, 2016. http://www.ancient.eu/Pantheon/. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb46b59fb4dac270ddd/1583116779954/adolf3.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 3: Nazi Youth Hostel, Karl Vesser, Urfeld, 1935 Curtis, William J. R, “Modern architecture since 1900”(Oxford : Phaidon, 1987), 357. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb4e6c06e061fc8a0da/1583116720840/adolf2.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 2: The German Pavilion, International Exposition, Albert Speer, Paris, 1937 Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 246. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb2d344ff762e6586e0/1583116661491/adolf1.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 1: Adolf Hitler & Albert Speer looking at plans Adam, Peter, “Art of the Third Reich” (New York : Thames and Hudson 1992), 209. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c6fb117c29a501a5a0500/5e5c6fb2483fcf20336d94f6/1583117053585/addolf10.JPG Architecture - NAZI Germany; Fascist Italy: How architectural built form was used as a weapon to coerce allegiance of the people to Fascist ideals - Fig. 10: Casa del Fascio, Guiseppe Terragni, Como, 1932-1936 Kirk, Terry, “The architecture of modern Italy” ( New York : Princeton Architectural), 99. https://chantallelouise.com/architecturewritings/book-review-tarzans-in-the-media-forest monthly 0.5 2020-03-02 https://chantallelouise.com/architecturewritings/zen-and-japan-ness monthly 0.5 2020-03-02 https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c76315da97a2982869ab6/1583118145535/zen14.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 13. Benesse, Chichu Art Museum, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e8b728573d1bae259a/1583118212992/zen17.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 16. Benesse, Chichu Art Museum, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e75da97a29828691c1/1583118199398/zen16.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 15. Benesse, Chichu Art Museum, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e7a72c2f71ab1d732d/1583118174222/zen15.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 14. Benesse, Chichu Art Museum, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e5bcd48e5c8c665c19/1583118108973/zen12.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 12. Dezeen, The Hill of the Buddha, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e455dd0836545134c5/1583118095897/zen11.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 11. Dezeen, The Hill of the Buddha, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e4118337590dc97b59/1583118081371/zen10.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 10. Dezeen, The Hill of the Buddha, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e3af79a531e0f2eb3f/1583118064108/zen9.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 9. Dezeen, The Hill of the Buddha, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e3118337590dc97b54/1583118041554/zen8.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 8. Dezeen, The Hill of the Buddha, 2017. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e17a7f3216d6f0b930/1583118020657/zen7.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 7. ArchTravel, Water Temple, 2013. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75e0af79a531e0f2eaa9/1583118005328/zen6.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 6. ArchTravel, Water Temple, 2013. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75dfbcd48e5c8c665b89/1583117984161/zen5.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 5. ArchTravel, Water Temple, 2013. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75dfd344ff762e66a757/1583117977428/zen4.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 4. ArchTravel, Water Temple, 2013. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75dea72c2f71ab1d7200/1583117946369/zen3.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 3. Langen Foundation, 2011. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75ddd344ff762e66a72c/1583117930696/zen2.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 2. IPFS, Yugao-tei, 2010. https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c75dcbcd48e5c8c665b3c/5e5c75dc0054c85361a74009/1583117913007/zen1.JPG Architecture - Zen & Japan-ness; A theological reading of the architecture of Tadao Ando - Fig. 1. Dingy, View of Ginkakuji temple with rock garden, 2009. https://chantallelouise.com/architecturewritings/aesthetics monthly 0.5 2020-03-02 https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c7acd6b59fb4dac291159/5e5c7c1b0054c85361a86446/1583120188134/3ef4bb6ded42f991b28db117d72fff75.jpg Architecture - Aesth | ethics - Fig. 6. Award Winning Architecture? Or, Ethical Failure? Violeta Parra, Elemental Housing, 2015, photograph, Accessed October 3, 2018. http://dpa-etsam.aq.upm.es/gi/arkrit/blog/la-desigualdad-es-elemental-conjeturas-ideologicas-para-una-critica-a-quinta-monroy/ https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c7acd6b59fb4dac291159/5e5c7beb6b59fb4dac294576/1583119363716/1577e99e06600751268f53f777a098cf.jpg Architecture - Aesth | ethics - Fig. 5. Close Up Grenfell Facade Fire Guilhem Baker, Grenfell Tower, 2017, photograph, Accessed October 3, 2018. https://www.news.com.au/world/europe/aussie-mum-and-daughter-identified-as-grenfell-tower-victims/news-story/172463f81c63e2771932a619d6966ae2 https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c7acd6b59fb4dac291159/5e5c7b8a55dd0836545224d4/1583131550825/Frank-Gehry-giver-journo--014.jpg Architecture - Aesth | ethics - Fig. 3. Frank Gehry Giving a Symbolic Gesture J. l. Cereijido, Frank Gehry, 2014, photograph, Accessed October 3, 2018. https://www.theguardian.com/artanddesign/2014/oct/24/frank-gehry-journalist-finger-architecture-shit https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c7acd6b59fb4dac291159/5e5c7ae155dd08365452015c/1583119210828/fadc001126df76f1992b04fea7b7184a-time-magazine-magazine-covers.jpg Architecture - Aesth | ethics - Fig. 2. Time Magazine Front Cover Time Inc., Time Magazine cover, 1979, digital scan, Accessed October 3, 2018. https://www.archdaily.com/611169/ad-classics-at-and-t-building-philip-johnson-and-john-burgee/5489d943e58ece85150000c7-time-magazine-cover https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c7acd6b59fb4dac291159/5e5c7ad8212d7f00caf65485/1583119323355/917937c6-0216-11e7-be53-dd0689cdbd13_1280x720.jpg Architecture - Aesth | ethics - Fig. 4. Ghost Towns of China Song, Song, Residential Ghost Towns, 2017, photograph, Accessed October 3, 2018. https://www.scmp.com/news/china/policies-politics/article/2076346/why-chinas-rush-urbanise-created-slew-ghost-towns https://static1.squarespace.com/static/5e4f2fd7d8f2a732024083b4/5e5c7acd6b59fb4dac291159/5e5c7acdd344ff762e678628/1583119133012/1200px-Grenfell_Tower_fire_%28wider_view%29.jpg Architecture - Aesth | ethics - Fig. 1. Grenfell Tower Fire, 4:43am Oxford, Natalie. Grenfell Tower fire, 4:43 a.m., 2017., photograph. 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